A good portrait is one of my favorite challenges. There’s so much to think about. Figuring the shot, building rapport and coaxing out the “moment” while at the same time working with the light, timing, and keeping out distracting elements. To top that off, there’s an art director somewhere with his or her requirements, too. In this case, a double page spread.
It’s hard enough to figure out what I want from the photo, but add to that high winds, harsh light and that exaggerated off-center layout. Here’s my answer: plenty of negative space for copy on the left side and a strong vertical element anchors the subject on the right side of the spread.